{"id":454,"date":"2015-05-30T17:30:08","date_gmt":"2015-05-30T15:30:08","guid":{"rendered":"http:\/\/georges-mathieu.fr\/en\/2015\/05\/le-voyage-en-israel-et-la-periode-mystique-de-georges-mathieu\/"},"modified":"2015-10-22T00:06:44","modified_gmt":"2015-10-21T22:06:44","slug":"travel-to-israel-and-the-mystical-period-in-the-work-of-georges-mathieu","status":"publish","type":"post","link":"https:\/\/georges-mathieu.fr\/en\/2015\/05\/travel-to-israel-and-the-mystical-period-in-the-work-of-georges-mathieu\/","title":{"rendered":"Travel to Israel and the mystical period in the work of Georges Mathieu"},"content":{"rendered":"<p>The canvas entitled <em>Ahinoam the Jezreelitess and Abigail the Carmelitess<\/em> was put on the <a href=\"http:\/\/www.sothebys.com\/content\/sothebys\/en\/auctions\/ecatalogue\/2015\/art-contemporain-pf1505\/lot.25.html\" target=\"_blank\">auction block on June 2, 2015 at Sotheby\u2019s in Paris<\/a>, so let\u2019s take a moment to consider Georges Mathieu\u2019s 1962 travels to Israel with the help of the detailed catalogue notes.<\/p>\n<blockquote>\n<p class=\"p1\"><strong><span class=\"s1\">In March, 1962, during what we call his mystical period, Georges Mathieu journeyed to Jerusalem, where he stayed about ten days and produced eighteen paintings. These works were exhibited at the Bezalel Museum in Jerusalem in March-April, 1962, and then at the Tel Aviv Museum in November-December, 1962.<\/span><\/strong><\/p>\n<p class=\"p1\"><span class=\"s1\"><i>Ahinoam the Jezreelitess and Abigail the Carmelitess<\/i>\u00a0refers to two women in the Old Testament, Achinoam of Jezra\u00ebl and Abigail of Carmel, wives of David, the second king of Israel. Ahinoam and Abigail are mentioned in Chapter 27 of the First Book of Samuel, when David takes refuge with the Philistines. Georges Mathieu took the titles of his eighteen paintings from this biblical story. These include <i>This is David&#8217;s spoil<\/i>,\u00a0<i>The Lords of the Philistines passed on by hundreds and by thousands<\/i>,\u00a0<i>The Ark of God is sent to Ekron<\/i>,\u00a0<i>Aphek<\/i>,\u00a0<i>The Philistines came to Gilgal\u00a0<\/i>et\u00a0<i>The Battle of Gilboa<\/i>, which was actually painted in public. These are among the rare occasions when Georges Mathieu, who at age 22 briefly taught English, uses that language for the titles of his work.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">In the booklet created for the Jerusalem exhibition, famed poet and art critic John Ashbery wrote:<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u00ab (\u2026) <strong>It is vital for us to decode the messages that Mathieu has set down for us \u2014for our own good \u2014 in a ravishing cipher\u00a0whose elegance is somehow connected with danger.<\/strong> But already the difficulty of the language, the speed with which\u00a0things happen, the inexorable preciseness of the forms have given us a clue. And without realizing it we have\u00a0already begun to live in his world \u2014 like our own with the difference that everything is carried to its extreme \u2014 a\u00a0world of pure motion in which we are not always aware of what it is that lacerates us, that makes us rejoice.\u00a0\u00bb<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\"><strong>Over the course of his journey, impressed by the great mystical fervor of the Israeli people, Georges Mathieu wrote Homage to Israel, published in the paper Combat in August, 1962, and then in the daily Haaretz, and finally in the journal Ariel, in July, 1963. <\/strong>Here is a brief passage from the text.<\/span><\/p>\n<p>&#8220;It may be too clich\u00e9 to say that from this Dead Sea \u2014 the lowest point on earth \u2014 you can only go up from here, toward heaven and a communion with God, but the fact is that the people of this land, where the Seal of Solomon was pressed, where the Cross was planted, and that\u00a0the Crescent leaned on, are more than any other shaped by the tumultuousness of faith, subjected to the dictates of religious doctrine, surrounded by the halo\u00a0of mysticism, living in an inexorably searching, obsessive fatalism. What is no\u00a0less\u00a0obvious is that here everything orchestrates the redemption of man, without him even suspecting a thing.<\/p>\n<p>O people of Israel, let me say to you and say to you again, with you I celebrate a triple communion, as a man, as an artist, and as a spirit.&#8221;<\/p>\n<p class=\"p1\"><span class=\"s1\">The complete text is available in &#8220;Au-del\u00e0 du Tachisme&#8221; (Beyond Tachism, \u00c9d. Julliard, 1963) and in &#8220;De la r\u00e9volte \u00e0 la renaissance&#8221; (From Revolt to Renaissance, \u00c9d. Gallimard, Collection Id\u00e9es, 1973).<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u00c9douard Lombard, Georges Mathieu Committee<\/span><\/p>\n<\/blockquote>\n","protected":false},"excerpt":{"rendered":"<p>The canvas entitled Ahinoam the Jezreelitess and Abigail the Carmelitess was put on the auction block on June 2, 2015 at Sotheby\u2019s in Paris, so let\u2019s take a moment to consider Georges Mathieu\u2019s 1962 travels to Israel with the help of the detailed catalogue notes. In March, 1962, during what we call his mystical period, [&#8230;]<\/p>\n","protected":false},"author":3,"featured_media":395,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[21],"tags":[],"class_list":["post-454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-history"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Travel to Israel and the mystical period in the work of Georges Mathieu &#8212; Georges Mathieu<\/title>\n<meta name=\"description\" content=\"En mars 1962, durant sa p\u00e9riode mystique, Georges Mathieu se rendit en Isra\u00ebl, \u00e0 J\u00e9rusalem, o\u00f9 il s\u00e9journa une dizaine de jours et peignit dix-huit toiles.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/georges-mathieu.fr\/en\/2015\/05\/travel-to-israel-and-the-mystical-period-in-the-work-of-georges-mathieu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Travel to Israel and the mystical period in the work of Georges Mathieu &#8212; 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