• Home
  • Committee
    • Introduction of the Committee
    • Certificate Request
    • Contact the Committee
  • Publications
    • What we owe Georges Mathieu
    • The calligraphic nature of the work of Georges Mathieu
    • Mathieu and Tapié, 1948–1958: A Decade of Adventure
    • Georges Mathieu, the inventor of performance art
  • Posts
    • History
    • News
    • Exhibitions
    • Museums
    • Books
    • Art Market
  • Artworks
    • Évanescence (1945)
    • Hommage au Connétable de Bourbon, auteur du sac de Rome (1959)
    • Hommage à Adam du Petit Pont (1954)
    • Théorème d’Alexandroff (1955)
    • Les Capétiens partout ! (Capetians Everywhere! — 1954)
  • French
  • English

Georges Mathieu — le site officiel

MENU Georges Mathieu
  • Home
  • Committee
    • Introduction of the Committee
    • Certificate Request
    • Contact the Committee
  • Publications
    • What we owe Georges Mathieu
    • The calligraphic nature of the work of Georges Mathieu
    • Mathieu and Tapié, 1948–1958: A Decade of Adventure
    • Georges Mathieu, the inventor of performance art
  • Posts
    • History
    • News
    • Exhibitions
    • Museums
    • Books
    • Art Market
  • Artworks
    • Évanescence (1945)
    • Hommage au Connétable de Bourbon, auteur du sac de Rome (1959)
    • Hommage à Adam du Petit Pont (1954)
    • Théorème d’Alexandroff (1955)
    • Les Capétiens partout ! (Capetians Everywhere! — 1954)
  • French
  • English

  • Categories

    • Art Market (3)
    • Exhibitions (16)
    • Galleries (10)
    • History (4)
    • Museums (8)
    • News (12)
 

  • Georges Mathieu in brief

    Founder of Lyrical Abstraction, pioneer of Action Painting and performance art.

  • Georges Mathieu Committee

    Send a message Certificate Request

  • Georges Mathieu is exclusively represented by Perrotin worldwide.

  • Follow us on Instagram!

    Georges Mathieu

    georgesmathieuofficiel

    113 4,001

    Open
    This impressive 9-meter-long work by Georges Mathieu is currently on display at the Long Museum in China. The work was painted by Mathieu in 1965 as the central work in his large-scale exhibition at the Galerie Charpentier, where he showed over 130 paintings and gouaches. ‘Paris, Capitale des Arts’ is distinguished by an abstract central figure that is both calligraphic and heraldic, constructed from a complex network of straight and curved lines. The black, yellow, and red lines cross each other and converge toward the center of the composition. The resulting gathering of signs seems to float on a range of shades of blue, while white arcs and axes burst out on either side of the canvas, standing out against the background and adding movement to the painting. __ @thelongmuseum @perrotin #GeorgesMathieu #LongMuseum #Shanghai #Perrotin __ Georges MATHIEU, Paris, Capital of the Arts, 1965 ©Comité Georges Mathieu / ADAGP, Paris, 2024. Courtesy of the estate & Perrotin
    Open
    “I am my painting.” — Georges Mathieu Mathieu’s complete physical dedication to his work truly embodies this motto. The sensuality of Mathieu‘s works relies on the body’s gesturality, on dynamic, incisive graphics created with long brushes or by directly applying paint with tubes, fingers or cloth, on mostly plain backgrounds. This week marks the grand opening of Mathieu’s first retrospective in China at the Long Museum. This exhibition shows the perpetual antagonism between creation and destruction that defines the monumental works. Mathieu began creating these large-scale frescoes, measuring between four and nine meters, as early as 1952. Mathieu’s abstract grammar, which he developed during the Second World War, merges celebratory fervor with the abyss of disaster. The canvas becomes a projection surface for the energy of this existential struggle, enhanced by the exhilarating effect of speed, which increases the risk involved in his pictorial improvisations. Mathieu‘s heroic painting reflects the contradictions and upheavals of its age: the anguish and trauma of war, oppression and compromise, material and moral destruction, as well as the spirit of revolt and the desire to triumph and regain freedom. 🎟️Plan your visits at the link in @thelongmuseum bio Images: Installation views, “Georges Mathieu,” Aug 29 - Oct 27, 2024, The Long Museum, West Bund © Long Museum/Comité Georges Mathieu
    Open
    Georges Mathieu’s major summer exhibition has opened its door this week. 👨🏻‍🎨Mathieu played a decisive role within abstraction during the movement’s burgeoning in the late 1940s and early 1950s across Europe and the United States. Departing from the geometric abstractions that had dominated the previous era, he developed a visual language that favored form over content and gesture over intent, aiming for uninhibited creative expression. He termed this newfound aesthetic “lyrical abstraction,” after a description of his work by the French critic Jean José Marchand in 1947. 🖌️Mathieu’s works are characterized by a calligraphic quality of line, achieved by using long brushes and applying paint directly from tubes onto the canvas. The immediacy and rapid execution of these methods ensured the freedom that defined his work. According to Clement Greenberg, Mathieu was the most powerful among his contemporary European painters. 🔁Scroll through to take a closer look at Georges Mathieu’s emancipated style of painting. Images: 1. Georges Mathieu, ‘Occision du duc Jehan de Bourgogne,’ 1957, Chrisochrome on canvas, 97 x 195 cm, ©Comité Georges Mathieu / ADAGP, Paris, 2024. Courtesy of the Estate and Perrotin 2. Georges Mathieu, ‘Vaux-le-Vicomte,’ 1965, Oil on canvas, 97 x 195 cm, ©Comité Georges Mathieu / ADAGP, Paris, 2024. Courtesy of the Estate and Perrotin 3. Georges Mathieu, ‘Syrrhapte,’ 1980, Alkyd on canvas, 89.5 x 146 cm, ©Comité Georges Mathieu / ADAGP, Paris, 2024. Courtesy of the Estate and Perrotin
    Open
    Repost of @thelongmuseum: Combining violence and virtuosity, Georges Mathieu‘s paintings are instantly recognizable for their calligraphic lyricism and exceptional precision. Despite the speed and spontaneity with which they are executed, every stroke is purposeful. From 29 August to 27 October 2024, Long Museum (West Bund) will host Georges Mathieu’s (1921-2012) first retrospective in China. A key figure in the New School of Paris, Mathieu was one of the most original French painters of his generation, founding Lyrical Abstraction in 1946 and becoming one of its most tireless proponents. He was one of the few European painters who significantly impacted the Abstract Expressionist scene in New York. His now legendary public painting sessions anticipated performance art and, from the 1970s onwards, contributed to the emergence of the urban language of graffiti. 💥💥On a scale never before seen in Asia, the exhibition will showcase pieces from over four decades of creative activity, offering a unique opportunity to explore Mathieu’s prolific body of work and its vigorous and exhilarating celebration of gesture. Images: 1. Georges Mathieu preparing the background of a canvas in 1959 at the Rio de Janeiro stadium, Brazil, before his exhibition at the Museu de Arte Moderna. ©Comité Georges Mathieu / ADAGP, Paris, 2024. 2. Georges Mathieu rushing towards a canvas on the roof of his mansion at 11bis Avenue Léopold II in Paris XVI, France. Photo for the magazine Parade on May 25, 1958. ©Comité Georges Mathieu / ADAGP, Paris, 2024. 3. Georges Mathieu painting in public Macumba with Afro-Brazilian musical and choreographic accompaniment of Candomblé rituals at the Museu de Arte Moderna on October 31, 1959, in Rio de Janeiro, Brazil. ©Comité Georges Mathieu / ADAGP, Paris, 2024.
    Open
    Starting August 28, the Shanghai Long Museum will host the first major retrospective of Georges Mathieu in China. A key figure in the New School of Paris, Georges Mathieu was one of the most original French painters of his generation, a founder of Lyrical Abstraction in 1946 who became one of its most tireless proponents. The exhibition will showcase pieces from over four decades of the Mathieu’s creative activity on a scale never before seen in Asia, offering a unique opportunity to explore the artist’s prolific body of work and its vigorous and exhilarating celebration of gesture. __ @thelongmuseum @perrotin #GeorgesMathieu #LongMuseum #Shanghai #Perrotin __ Photo: Georges Mathieu next to Hommage au Connétable de Bourbon, auteur du sac de Rome (1527), which he had just painted on April 2, 1959, at the Theater am Fleischmarkt in Vienna, Austria. Georges MATHIEU, Hugues de Payens fonde l’ordre du Temple (1118), 1958 ©Comité Georges Mathieu / ADAGP, Paris, 2024. Courtesy of the estate & Perrotin
    Open
    The first exhibition of Georges Mathieu in Korea July 12 to August 24 @perrotin Seoul
    Open
    LAST DAYS in Seoul until August 24 “Georges Mathieu’s work particularly reveals the artist’s remarkable abilities as a colorist. In paintings such as Forez (image 1), Tamatia (image 2), and Datura (image 3), his palette explodes in a shimmering profusion of colors, ranging over a wide spectrum from dark cadmium reds to shades of yellow, magenta, ocher, and luminous pale blue. As shown by the painting Innocent III (image 4), an explicit reference to an eminent medieval pope, this phase of artistic maturity is marked by a growing spirituality. Mathieu’s evolution tends toward syncretic pantheism, culminating in what we might call the ‘cosmic turn’ in his work by the 1980s.” — Pierre Ruault Georges Mathieu’s exhibition is on view at Perrotin Seoul until August 24 — @perrotin #GeorgesMathieu #PerrotinSeoul #Perrotin #조르주마티유 __ Georges Mathieu, Forez, 1970 Georges Mathieu, Tamatia, 1979 Georges Mathieu, Datura, 1980 Georges Mathieu, Innocent III accorde de nouveaux privilèges aux templiers (1198), 1960 ©Comité Georges Mathieu / ADAGP, Paris, 2024. Courtesy of the estate & Perrotin.
    Open
    Perrotin Seoul is pleased to present the first exhibition of Georges Mathieu in Korea. The artist is considered a leading figure in lyrical abstraction, the post-war European art movement which emphasized improvisational and spontaneous expression. This exhibition focuses on a selection of paintings from the 1960s and 70s, exploring Mathieu’s aesthetic of performative and stylistic brushwork. The exhibition begins on July 12 and runs through August 24. - 페로탕 서울은 프랑스의 대표적인 추상화가 조르주 마티유의 한국 첫 개인전을 선보인다. 조르주 마티유는 작가의 즉흥적 행위와 격정적 표현을 중시한 전후 유럽의 미술 경향이었던 서정적 추상의 대표적 인물이다. 이번 전시에서는 1960-70년대에 제작된 마티유의 대표적인 작품들을 중심으로 행위적이며 서체적인 붓의 움직임을 강조한 작가의 미학 세계를 살펴보도록 마련되었다. 전시는 7월 12일부터 8월 24일까지 개최된다. — #GeorgesMathieu #PerrotinSeoul @Perrotin #조르주마티유 __ Georges Mathieu, Heliopolis, 1979 ©Comité Georges Mathieu / ADAGP, Paris, 2024. Courtesy of the estate & Perrotin
    Open
    Georges Mathieu’s solo exhibition is now on view at Perrotin Seoul Through his boldness and his rejection of conformity, Georges Mathieu stands out as a key figure of abstract painting, which he passionately defended throughout the twentieth century. Combining spontaneous gestures with a dramatic dimension, the artist devoted his life to an endless quest for total freedom. His first exhibition in Seoul offers the Korean public a chance to discover a rich selection of artworks from 1960 to 1970. A retrospective of Georges Mathieu’s work will take place at the Long Museum in Shanghai, with over 60 works ranging from 1950 to 1990, and will be on view view from August 28 to October 27, 2024. — #GeorgesMathieu #PerrotinSeoul @Perrotin #조르주마티유 __ View of Georges Mathieu’s solo exhibition Georges Mathieu 1960-1970 at Perrotin Seoul ©Comité Georges Mathieu / ADAGP, Paris, 2024. Courtesy of the estate & Perrotin
    Follow us on Instagram!

  • Join us on Facebook!



  • Subscribe to the newsletter!

    Be sure to never miss a thing about Georges Mathieu! Your e-mail address will never be sold to anyone.
    Enter your e-mail address
    Check the box and follow any instructions
    Envoi

  • Follow us on Twitter!

    Follow @OfficielMathieu

  • Follow us on Pinterest!

    Georges Mathieu

  • Recent Posts

    • The celebration of abstraction at the Académie des Beaux-Arts by Fondation Gandur pour l’Art
    • Mathieu’s works on paper exhibited at Perrotin
    • Mathieu at the Historial de la Vendée: exhibition around the Usine Étoile
    • Paris+ par Art Basel : solo exhibition of Georges Mathieu by Applicat-Prazan
 

  • All artworks of Georges Mathieu © Comité Georges Mathieu / ADAGP