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Georges Mathieu — le site officiel

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Lancement des comptes officiels sur Pinterest et Instagram

23/03/2017 Actualités

Avis aux internautes, les comptes officiels de Georges Mathieu viennent d’être créés sur Pinterest et Instagram. N’hésitez pas à vous abonner !

En voici les adresses :
https://www.pinterest.com/MathieuOfficiel/
https://www.instagram.com/georgesmathieuofficiel/

Pour rappel, nous sommes aussi sur Facebook et Twitter :
https://www.facebook.com/georges.mathieu.officiel
https://twitter.com/OfficielMathieu

Trois œuvres de Mathieu à PAD Paris L’hommage de Pierre-Yves Trémois à Mathieu
 

  • Mathieu en quelques mots

    Fondateur de l’abstraction lyrique, pionnier de l’Action Painting, des performances, du dripping, du gigantisme, de la vitesse et du risque, inspirateur précoce du street art.

  • Articles récents

    • Perrotin & Nahmad Contemporary représentent l’estate de Georges Mathieu dans le monde
    • Georges Mathieu à New York chez Nahmad Contemporary
    • Le Figaro : « Georges Mathieu entame sa renaissance »
    • Exposition Georges Mathieu à la Galerie Templon

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    #Repost @galerieperrotin
    ・・・
    💫 Georges Ma
    #Repost @galerieperrotin ・・・ 💫 Georges Mathieu’s current exhibition at Perrotin Hong Kong explores the development of his calligraphic language in the 1980s. Early in his career, Mathieu established a parallel between his work and Chinese calligraphy, notably their shared characteristic of spontaneity. In the 1940s, he was the first to consider a theory of abstract calligraphy and the principle that signs could precede their meanings. Then, following a dialogue with Dr. Chou Ling and China’s 20th-century master of calligraphy Zhang Daqian in 1956, Mathieu published an essay titled “Connections between certain aspects of lyrical, nonfigurative painting and Chinese calligraphy.” In it, he asserted that unlike Western calligraphy, which was limited to the “art of copying,” the most liberated works of Lyrical Abstraction underwent the same “processes” as the calligraphy of the Far East, exuding “a primacy of the speed of execution,” the absence of any “preexistence of form,” and of any “premeditation of gesture,” and an “ecstatic state.” — Georges Mathieu 📍 Perrotin Hong Kong 📆 On view through December 21, 2019 — #GeorgesMathieu #LyricalAbstraction #NahmadContemporary #PerrotinHongKong #Perrotin — Views of Georges Mathieu's solo exhibition at Perrotin Hong Kong, 2019. Photo: Ringo Cheung. © Georges Mathieu / ADAGP, Paris, 2019. Courtesy of the artist & Perrotin.

    #Repost @galerieperrotin
    ・・・
    Opening today a
    #Repost @galerieperrotin ・・・ Opening today at Perrotin Hong Kong! #GeorgesMathieu's solo exhibition showcases never-before-seen works from the 1980s. 💥 The 1980s, or more specifically the years between 1983 to 1991, correspond to a well-known era in France and Italy. Described by some as “cosmic,” a sort of pictorial “star wars,” and by others as a “barbaric” time, the 1980s were a turning point for Mathieu’s art following his numerous experiments in the 1960s and 1970s involving geometric variations and the applied arts. In this decade, Mathieu returned to antigeometric lyricism and depicted his calligraphic language of the 1950s in a totally new form. The works display vehement gestures, broken lines, explosions of painting and color, highly contrastive colors, and in some, the background forms a striking impression of cavernous depths. — 喬治·馬修於貝浩登香港的個展今天開幕！展覽呈現馬修80年代未曾展出過的畫作，歡迎蒞臨畫廊觀展！ 馬修80年代的作品（更明確地說是1983至1991年間繪畫的油畫）呼應當時於法國和意大利極富盛名的藝術時期，而該時期正在亞洲出現迴響。在經過1960與1970年代多次嘗試幾何變化與應用藝術的實驗後，馬修來到1980年代的轉捩點。有人形容為「宇宙風格」，有如圖像化的「星際戰爭」；有人則指是「蠻荒」時期。1980年代馬修亦回歸反幾何的抒情主義，及他在1950年代採用的書法語言，不過以全新的形式再現，除了強烈的肢體演繹、斷續的線條、顏料與色彩的爆發、對比鮮明的顏色，更不時配以過目難忘的深邃背景。 — Georges Mathieu 📍 Perrotin Hong Kong 📆 November 21 – December 21, 2019 — #LyricalAbstraction #NahmadContemporary #PerrotinHongKong #Perrotin — Views of Georges Mathieu's solo exhibition at Perrotin Hong Kong, 2019. Photo: Ringo Cheung. © Georges Mathieu / ADAGP, Paris, 2019. Courtesy of the artist & Perrotin.

    #Repost @nahmadcontemporary
    ・・・
    Nahmad Conte
    #Repost @nahmadcontemporary ・・・ Nahmad Contemporary and Perrotin are delighted to announce an exhibition in Hong Kong by the late French artist Georges Mathieu (1921–2012), the founder of Lyrical Abstraction and a pioneer of performance art. Exploring Mathieu 1980’s specific period, this exhibition is the first dedicated to the artist in Hong Kong and pays tribute to Mathieu’s longstanding links with Asia. Early in his career, Mathieu established a parallel between his work and Chinese calligraphy, notably their shared characteristic of spontaneity. . Perrotin HK - 17/F, 50 Connaught Road Central Nov 21 – Dec 21, 2019 #GeorgesMathieu #PerrotinHK ©️ Georges Mathieu / ADAGP, Paris, 2019. Courtesy of the artist & Perrotin

    #Repost @galerieperrotin
    ・・・
    Coming soon! Ge
    #Repost @galerieperrotin ・・・ Coming soon! Georges Mathieu's solo exhibition at Perrotin Hong Kong will be the first dedicated to the late French painter in the city. Co-presented with Nahmad Contemporary, this themed exhibition, comprised of unseen works from the 80's, will pay tribute to the artist's longstanding links with Asia. Mathieu is the founder of Lyrical Abstraction and a pioneer of performance art who foregrounded the techniques of tubism, dripping, gigantism, and speed. Join us for the opening on Thursday November 21 from 6 to 8pm! — 已故法國畫家喬治·馬修於貝浩登香港的個展即將開幕，大家不容錯過！ 展覽由納哈邁德當代畫廊與貝浩登共同舉辦，是馬修在香港的首次個展，將陳列藝術家未曾公開展出的80年代作品，向他與亞洲相當悠久的連結致敬。馬修是抒情抽象派的始創人，亦是行為藝術的先驅， 帶起了「導管主義」、「滴彩」、 「巨型主義」及 「速畫」的創作技藝。開幕酒會將於11月21日（週四）晚上6至8時舉行，到時歡迎大家來畫廊觀展！ — Georges Mathieu 📍 Perrotin Hong Kong 📆 November 21 – December 21, 2019 — #GeorgesMathieu #LyricalAbstraction #NahmadContemporary #PerrotinHongKong #Perrotin — Georges Mathieu, Abîme absolue, 1990. Oil on canvas, 100 x 81 cm | 39 3/8 x 31 7/8 in. © Georges Mathieu / ADAGP, Paris, 2019 Courtesy of the artist & Perrotin

    Georges MATHIEU — Pauxi (1979)
    on the @NAHMADcon
    Georges MATHIEU — Pauxi (1979) on the @NAHMADcontemporary booth at @FIACparis Georges MATHIEU — Composition (1970) on the @GaleriePERROTIN booth at FIAC Paris October 3–6, 2019 ⠀ @emmanuelperrotin @capucinemilliot @vanessaaclairet @sarahsucotorres @ql4ra ⠀ Follow this account for more artworks! ⠀ #FIAC #GeorgesMathieu #Pioneer #LyricalAbstraction #AbstractExpressionism #ActionPainting #ModernArt #ContemporaryArt #AbstractArt #Exhibition #ArtShow #Art #Abstract #Artist #Color #Painting #AvantGarde #Museum #Gallery #ArtDaily #PhotoOfTheDay #ArtCollector #ArtOfTheDay #AbstractPainting #OilPainting #ArtArchive #ArtHistory

    #Repost @galerieperrotin
    ・・・
    #FIAC is openin
    #Repost @galerieperrotin ・・・ #FIAC is opening today at Grand Palais. Visit our booth A32! 💫 We are pleased to present a new group of works by Genesis Belanger, marking the artist’s first collaboration with the gallery since joining our roster this year. Concurrently, two spaces in our booth are dedicated to a selection of recent works by Jean-Michel Othoniel and John Henderson. We are also exhibiting significant works by Iván Argote, Daniel Arsham, Lee Bae, Johan Creten, Laurent Grasso, Hans Hartung, Thilo Heinzmann, Gregor Hildebrandt, JR, Izumi Kato, Georges Mathieu, Claire Tabouret, Xavier Veilhan and Pieter Vermeersch among others. Don’t miss Johan Creten’s monumental work 'De Vleermuis' (the Bat) in front of the Petit Palais for FIAC Projects! — 📍 FIAC Booth A32 📆 October 17 – 20, 2019 — #GenesisBelanger #JeanMichelOthoniel #JohnHenderson #JohanCreten #DeVleermuis #FIACProjects #FIAC2019 #Perrotin — - Views of Perrotin booth at FIAC, 2019. Photographer: Claire Dorn. - View of Johan Creten's 'De Vleermuis' in front of the Petot Palais for FIAC Projects, 2019. Photographer: Tanguy Beurdeley. Courtesy of the artists and Perrotin.

    #Repost @galerieperrotin
    ・・・
    Visit our booth
    #Repost @galerieperrotin ・・・ Visit our booth dedicated to French painter Georges Mathieu at #FriezeMasters this week! Founder of Lyrical Abstraction, Georges Mathieu is considered a pioneer of Action Painting, and public performances. During the 1950s, Mathieu executed large canvases in front of audiences all around the world. Often compared to Jackson Pollock, Franz Kline, or Zao Wou-Ki, his work has left its mark on the history of painting. Our booth (C15) features a selection of Georges Mathieu's historically relevant works, as well as paintings from the 70’s and 80’s, showcasing the evolution of his oeuvre. — 📍 Frieze Masters, Regent’s Park, London Booth C15 📆 3 – 6 October, 2019 — #GeorgesMathieu #FriezeArtFair #FriezeWeek #FriezeLondon #NahmadContemporary #Perrotin — - Georges Mathieu, 'L'écartèlement de François Ravaillac, assassin du roi de France Henri IV, le 27 mai 1610, à Paris en place de Grève', 1960. Oil on canvas. unframed : 248 x 398 cm | 97 5/8 x 156 11/16 inch. © Georges Mathieu / ADAGP, Paris & ARS, New York, 2019 - Views of Perrotin's booths at Frieze Masters, London, 2019. Photograph: Claire Dorn.

    #Repost @fondationgandurpourlart
    ・・・
    ŒUVRE
    #Repost @fondationgandurpourlart ・・・ ŒUVRE DU MOIS D’OCTOBRE : #MATHIEU Georges (1921-2012), « Évanescence », 1945, huile sur toile, 97 x 80 cm, FGA-BA-MATHI-0028⁣ ⁣Rien ne prédispose Georges Mathieu à peindre, à 24 ans, une #œuvre aussi novatrice qu’Évanescence. Seulement trois ans auparavant, l’étudiant en licence de droit et d’anglais à la faculté de Lille peint encore des vues de Londres d’après des cartes postales. Malgré leur modestie, ces exercices d’apprentissage conduisent le #peintre #autodidacte à s’interroger sur ce qui différencie une illustration d’une peinture. Il trouve la réponse dans un livre d’Edward #Crankshaw qui disserte des qualités littéraires du romancier polonais de langue anglaise Joseph Conrad [Lire la suite sur https://www.fg-art.org/fr/loeuvre-du-mois/evanescence]⁣ ⁣⁣ ⁣OCTOBER’S WORK OF THE MONTH : MATHIEU Georges (1921-2012), « Évanescence », 1945, oil on canvas, 97 x 80 cm, FGA-BA-MATHI-0028⁣ ⁣Nothing predisposes Georges Mathieu to paint, at the age of 24, a work as innovative as Evanescence. Only three years earlier, the law and English undergraduate at the Faculty of Lille still paints views of London from postcards. Despite their modesty, these learning exercises lead the self-taught #painter to wonder about the difference between an illustration and a painting. He finds the answer in a book by Edward Crankshaw that discusses the literary qualities of the English-speaking Polish novelist Joseph Conrad. Read more on our website.⁣ ⁣⁣ ⁣#finearts #beauxarts #painting #peinture #abstraction #GeorgesMathieu #oeuvredumois #workofthemonth #art #oiloncanvas #huilesurtoile #abstractioneuropeenne @jeanclaudegandur⁣ ⁣

    #Repost @galerieperrotin
    ・・・
    Come explore ou
    #Repost @galerieperrotin ・・・ Come explore our artists' works at Frieze Art Fair this week! ➤ Georges Mathieu at Frieze Masters (Booth C15) : Mathieu is considered one of the most influential postwar French artists. This presentation will bring together a selection of rare works from the 60’s/70’s and marks the artist's return to the United Kingdom, since his 1956 exhibition at the Institute of Contemporary Arts in London. — Frieze Art Fair 2019 Regent's Park, London 3 – 6 October, 2019 — #FriezeLondon2019 #FriezeArtFair #MADSAKI #FriezeWeek #GeorgesMathieu #KaiKaiKiKi #311 #Perrotin — - Views of Perrotin's booths at Frieze London and Frieze Masters, 2019. Photograph: Claire Dorn. © Georges Mathieu / ADAGP, Paris & ARS, New York, 2019


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